Add Watermark to Image

Put your name, website or copyright on any photo, as one mark you drag into place or a pattern repeated across the whole image.

WATERMARK STUDIOReady
Drop photos to watermark

One photo or a whole batch. JPG, PNG or WebP, processed on your device and never uploaded.

Choose photos
or paste with Ctrl + V

How to watermark an image

1

Drop your image

Drag in one or more JPG, PNG or WebP photos. They stay in your browser and nothing is uploaded.

2

Type your watermark text

Name, URL, copyright notice — whatever you want to protect or label the image with.

3

Customize

Adjust position, opacity, font size and color until it looks right.

4

Download

Preview looks good? Save it. The watermark is baked into the image file.

Why watermark your images?

If you share images online — whether you are a photographer, designer, content creator or just someone who makes things — watermarking is the most basic form of attribution. It ties the image back to you.

A visible watermark does not make your image uncopyable. Nothing does. But it makes it harder for someone to pass your work off as their own, and it puts your name or URL in front of anyone who sees the image wherever it ends up.

Keep the opacity somewhere between 20 and 40 percent for a professional look: high enough to be legible, low enough not to ruin the image. The bottom right corner is the most common position, visible but out of the way. For previews and proofs, a tiled pattern is far harder to remove.

What a watermark can and cannot do

It is worth being clear about this, because watermarks are often expected to do more than they can. A watermark makes casual reuse inconvenient and identifies the source when an image travels. It does not make the file impossible to copy and it does not stop a determined person from removing it.

What it does well is the everyday case: someone saves your photo, reposts it, and anyone who sees the repost can tell where it came from. That is a real and useful outcome and it is the reason photographers still bother.

What it does not do is provide protection through the file itself. Any visible mark can be cropped, cloned out or covered. Treating a watermark as attribution rather than as security leads to better decisions about how it should look.

The opacity trade off

Every watermark sits somewhere on a line between invisible and ruinous, and both ends fail.

OpacityHow it readsTrade off
10 to 20 percentBarely thereEasy to miss and easy to remove without leaving a mark
30 to 50 percentClearly visible, image still readableThe usual working range for photography
60 to 80 percentDominantHard to remove but it competes with the picture
90 percent and upEffectively a stampOnly suitable for proofs and previews you do not want used

Most people land between 30 and 50 percent for finished work, and go much higher for client proofs where the whole point is that the preview should not be usable as a final image.

Placement decides whether it survives

A mark in the bottom right corner is the convention, and it is also the easiest thing in the world to crop away. If the image is likely to be reposted, a corner mark is the weakest choice available.

A mark placed across the middle of the subject is far harder to remove, because removing it means removing part of the picture. It is also more intrusive, which is exactly the trade you are making.

Tiling the mark repeatedly across the whole frame is the strongest visible option in general, which is why stock libraries use it for previews. This tool does both: a single mark you drag anywhere on the photo, or a tiled pattern that repeats your text across the whole frame at any angle.

If you want attribution without spoiling the image, a small mark near the centre bottom, inside the safe area rather than at the very edge, survives most crops while staying out of the way.

Keep the original

A watermark is drawn into the pixels and cannot be peeled off later. Always keep the clean file. If you need a different mark, a different size, or no mark at all for a print, you will need that original, and there is no way to recover it from the watermarked copy.

Also useful

Add Text →Compress Image →Convert Image →

FAQ

Can I add an image watermark instead of text?+
Text only for now. Logo watermarks are on the roadmap but not yet available.
Can I repeat the watermark across the whole image?+
Yes. Tiled pattern mode repeats your text in rotated rows across the entire photo, with adjustable angle, spacing and staggered rows. Drag on the photo to shift the pattern.
Can I change the opacity?+
Yes, from 5% to 100%. A lower opacity gives you a subtle watermark that does not distract from the image content.
How do I position the watermark?+
In single mark mode, drag it anywhere on the photo or snap it to one of nine positions. Arrow keys nudge it, and holding Shift moves it further.
Can I watermark several photos at once?+
Yes. Drop as many photos as you like and the same watermark is applied to all of them. They download together as a ZIP, at full resolution.
Does a watermark stop people stealing my photo?+
It discourages casual reuse and keeps your name attached when an image is shared, which is what most people actually want. It cannot prevent copying, and any visible mark can be cropped or edited out by someone determined enough.
What opacity should a watermark be?+
Between 30 and 50 percent suits most finished work: clearly visible without fighting the picture. Client proofs and previews often go much higher, because those are meant to be unusable until replaced.
Where should I place a watermark?+
A corner is conventional and the easiest to crop off. The centre, across the subject, is much harder to remove but more intrusive. A tiled pattern across the whole photo is the hardest to remove of all.
Can I remove a watermark later?+
Not from the watermarked file. The mark becomes part of the pixels when you save. Always keep the clean original if you might need a version without it.
Will a watermark reduce image quality?+
The mark itself only changes the pixels it covers. Any quality change comes from saving the result as JPEG, which applies a fresh compression pass. Saving as PNG avoids that entirely.